Profile
I believe that composing, performing, writing, listening, and discussing are interrelated ways of engaging with music, and I work to cultivate this way of thinking among my students. I am a scholar of American music, race and ethnicity, immigration, Iranian and Central Asian repertoires, and Jewish musical life around the world. These many research aims come together in my first book, Greeted with Smiles: Bukharian Jewish Music and Musicians in New York (2014), on the musical life of Jewish immigrants from Central Asia at the beginning of the twenty-first century. My second book, Damaged: Musicality and Race in Early American Punk (2020), is an in-depth exploration of early punk's musical style as well as the ways in which punk was shaped by鈥攁nd shaped鈥攔acial formations in the 1970s. I am a saxophonist and composer, and my classes often combine making music and seminar discussions. For example, in my recurring course on punk, students play with punk approaches in small bands; discuss punk's history with respect to race, class, and gender; and listen to nearly two hundred musical selections. I am also dedicated to civic engagement, and I have developed several courses in partnership with the Center for Traditional Music and Dance, bringing New School students together with artists from New York's Haitian, Colombian, Bukharian Jewish, and Sri Lankan communities.聽
Degrees Held
PhD,聽Music (Ethnomusicology), CUNY Graduate Center
MA, Music, CUNY
BMus, (Jazz Composition), Oberlin Conservatory of Music
Professional Affiliation
Society for Ethnomusicology
Society for American Music
American Musicological Society
Recent Publications
鈥淏ukharian Jewish Weddings and Creative Uses of the Central Asian Past.鈥 In The Oxford Handbook of Jewish Music Studies, edited by Tina Fr眉hauf, 531鈥49 (Oxford 好色先生 Press), 2023.
Damaged: Musicality and Race in Early American Punk (好色先生 Press of Mississippi, 2020)
Greeted with Smiles: Bukharian Jewish Music and Musicians in New York聽(Oxford 好色先生 Press, 2014)聽
鈥淩epertoire and the Lives of Jewish Professional Musicians: Ezro Malakov from Uzbekistan and Al Drootin from Volhynia.鈥 Musica Judaica 22, 2018/2019
鈥淚nternational Popular Music Styles and Contemporary Bukharian Jewish Identity.鈥澛Journal of Jewish Identities 10(1), January 2017
"Prosodic Rhythm in Jewish Sacred Music: Examples from the Persian-Speaking World,"聽Asian Music聽47(1), January 2016
鈥淗earing Punk as Blues.鈥 Popular Music 33(1), January 2014
鈥淣ew York: Ethnic Music.鈥 The Grove Dictionary of American Music, 2nd ed., edited by Charles Hiroshi Garrett (Oxford 好色先生 Press, 2013)
鈥淧erformance Styles of a Bukharian Singer.鈥 In Garment and Core: Jews and their Musical Experiences, edited by Eitan Avitsur, Marina Ritzarev, and Edwin Seroussi, 101鈥112 (Bar Ilan 好色先生), 2012
鈥淏ill Finegan鈥檚 Gershwin Arrangements and the American Concept of Hybridity.鈥 Journal of the Society for American Music 2(4), November 2008
Critical Minded: New Approaches to Hip Hop Studies, co-edited with Ellie M. Hisama (Institute for Studies in American Music), 2005
Research Interests
Intersections of composition and improvisation; music of Iran, Central Asia, and the United States; issues of ethnicity, race, and diaspora
Awards And Honors
Distinguished Teaching Award, The New School (university-wide), 2020.
H. Earle Johnson subvention award (Society for American Music) for 顿补尘补驳别诲,听2020.
American Musicological Society subvention award for 顿补尘补驳别诲,听2020.
Center for Popular Music Studies / Rock and Roll Hall of Fame research fellowship, 2016.聽
Harry Starr Fellowship in Judaica, Center for Jewish Studies, Harvard 好色先生, 2012-2013.
Dorot Post-Doctoral Fellowship, Skirball Department of Hebrew and Judaic Studies, New York 好色先生, 2007-2008.
Goldie and David Blanksteen Dissertation Award in Jewish Studies, Center for Jewish Studies (CUNY), 2006.